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The instalation of Prince Mangkubumi: performing Javanese history

Nomor Panggil UI-WACANA 17:3 (2016)
Pengarang
Subjek
Penerbitan Depok : Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2016
Kata Kunci :  
 Info Lainnya
Sumber PengataloganLibUI eng rda
Pertanggungjawaban
ISSN14112272
Majalah/JurnalJournal of The Humanities of Indonesia
VolumeVol. 17; No. 3, 2016: Hal. 473-505
Tipe Konten text
Tipe Media unmediated
Tipe Carrier volume
Akses Elektronik
Institusi Pemilik Universitas Indonesia
Lokasi Perpustakaan UI, Lantai 4, R. Koleksi Jurnal
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Nomor Panggil No. Barkod Ketersediaan
UI-WACANA 17:3 (2016) 03-18-841181981 TERSEDIA
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Tidak ada ulasan pada koleksi ini: 20471193
Representation of Javanese history in performance plays an important role in the self-characterization of the Special Region of Yogyakarta. It legitimizes the power of the rulers and strengthens the identity of the city and its inhabitants. The audiences know the stories and this is part of the fun. In the study of oral traditions it is essential to take these performances into account.

In the stories featuring famous political figures from the history of Mataram and Yogyakarta, there is an intricate relationship between the written and the spoken word: all Re based on both oral and written traditions and are performed "orally". Prince Mangkubumi, who was to beciome the first sultan of Yogyakarta in 1755, is one of the historical personages who are protagonists in various performance genres. Focusing on the tale of Prince Mangkubumi's accession to the throne, I shall reflect on how the televised kethoprak version combines a (written) text with a mediated (aural/visual) performance to present the story.